Neon Hauntings: Gender, Bodies and Terrain in Blade Runner

This essay was originally published in Slate Film & Moving Image Journal (April 12th, 2016)

Just as architecture is never devoid of signification or of discourse, the female body is always a site upon which a complex politics is at work. The nostalgic-dystopic politics of Ridley Scott’s Blade Runner are mapped explicitly onto the film’s neon-lit landscape, and are articulated through the bound or bloodied female bodies that inhabit it.

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Interview with Tangerine Director Sean Baker

This interview was originally published in The Berlin Film Journal (November 20th, 2015).

Tangerine (2015) is loud and brash and bright, a highly-saturated but also exquisitely beautiful account of strange encounters, an LA underbelly and female friendship. Shot entirely on an iPhone 5s, Sean Baker’s film focuses on one Christmas Eve in the lives of two trans sex workers – Sin Dee Rella and her best friend Alexandra.

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